Olga Fradina

Anaglyphic

Anna Beller & Alejandro Campos

Corneel Cannaerts & Luis E. Fraguada

Victor Doval & xnmtrc

Fleep

Kira0

office ca & {protocell:labs}

Erik Swahn

Studio Yorktown

Alejandro Campos

Ismahelio

Generative Architecture. The Making of a Room.

Olga Fradina on the mysterious ambiance of her work

TILE

The appeal of abstract art lies in the fact that, despite the intentions and emotions of the artist, each viewer is free to interpret the work in their own way, to have their personal associations and allusions.

The sleek silhouettes of buildings, the glimmer of light in windows, the facade embellished with tiles – these are the outlines of a futuristic city that grew out of the initial idea, the blueprint, and the drafts. And even earlier, from a collection of experiences and impressions that the architect had at the time of the project's conception.

In my childhood, on the way to visit relatives, my parents and I passed by a building covered in ceramic tiles. I was fascinated by the rhythm, and I loved looking at it!

Everything big is made up of smaller blocks - step by step, brick by brick. The harmonious interaction of all elements creates a harmonious structure as a whole – our relationships, our buildings, and even our lives. Even Web3 is built by people, and every action we take, every manifestation, is a building block of this unity.

The foundation of architecture is a mathematical and structural approach. This makes architecture akin to generative art and makes Gen.Art an organic tool for exploring new dimensions of harmony.

How does the program code work? By stacking up to form a new structure. Like a building that grows from blocks, with a room at its core.

