In Essentially Almost All the Ways That Matter, I Am Still This Screaming Child

Drawing upon old family film photographs as source material, In Essentially Almost All the Ways presents three autobiographical digital paintings, reworked and disrupted through AI processing and dither cycling.

Together, they capture moments of childhood distress and adult unease, challenging the conventions of the traditional family portrait while allowing the naïve visual style to echo the lingering presence of those formative emotional states.