Anti-crash

The series is predicated on disturbance, instability, confusion, a distraction from logic and reason. It plays on the human fear of losing oneself in the unknown. The focal point of the works in this series is the body, which is distorted and abstracted into an ephemeral state of fragility. Scerbo describes the process of creating these works as a cycle: creation-photo-destruction, creation-photo-destruction.

Scerbo describes his art as ‘marked by intellectual love, conditioned by the readings of oriental philosophers such as Jiddu Krishnamurti, touched by the spiritual power of directors such as Kim Ki-duk, tainted by the symbolic force of Danh Vo, lost in the memories of Plato's metaphysics, and finally matured inside a bottle of Giorgio Morandi.’