THIS TECHNOCRATIC TOWN is a body of 100 unique postpaintings chronicling a society ruled not by myth or charisma, but by the hum of infrastructure and chemical compliance. Big Pharma, food conglomerates, and surveillance capital pose as caretakers while draining vitality. Images are familiar yet corrupted: a cheeseburger revered like a relic, subway walls preaching medicine as liturgy, drones eclipsing graffiti. Here, nourishment is poisoned, health mandated, rebellion commodified. Choice is an illusion — you may consume, but only from their menu. The works offer no solutions, only residue and corrosion, with paint smearing across photographic surfaces like a virus destabilizing the system. This is not nostalgia but diagnosis: a town governed by data, fed by laboratories, where control masquerades as care and progress is hollowed out by profit.
