SERIES

Joel Meyerowitz

Empire State

Perhaps the greatest icon of the twentieth century is the Empire State Building. With it was born the term ‘Skyscraper.’ The word itself has the charm of a Native American chant. This building is to New York as Mt. Fuji is to Japan; mythic, constant, yet ever-changing. The Empire State Building is the pylon around which I turned during this particular photographic inquiry. From river to river, from Harlem to the Battery, I looked at the connection between ordinary life down on the streets and skyscraper. I wanted to see if, as in Hokusai's prints of Mt. Fuji, there might be a connection between the humble daily lives of the inhabitants and this majestic form.

If you ask a question then you must be prepared for any answers that arise. The Mt. Fuji question is really me asking, in photographic terms: What happens when one uses a nominal subject, such as the Empire State Building, as a lever to lift a hidden, larger subject onto the plane of visibility? These photographs are the answers

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