12 LIVES #34/120

LIFE by KEVIN ABOSCH (2023)

In this AI work, the fractured face of an aged timepiece, its hands poised a few minutes before an indeterminate 12 o’clock, serves as an emblem of life's transitions. The ambiguous threshold between noon and midnight prompts contemplation. We are reminded of the punctuated nature of our journey—moments of inception and closure, of beginnings and farewells. Abosch’s work of synthetic photography LIFE joins the philosophical discourse on temporality and the fluid coalescence of life's unfolding chapters.

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