“Last Drive” stages the scrapyard as an allegory of death—an inevitable destination shared by countless vehicles, just as humans share the certainty of mortality. A zooming perspective reveals hundreds of trajectories branching out in all directions, only to collapse back into the same terminal ground. A single path is highlighted, traced backward until it reaches the memory of a car in motion on the open road. The piece oscillates between collapse and vitality, between the inevitability of endings and the fragile beauty of life caught in motion.