This series begins with AI-generated images of nature, flowers, textures, and familiar scenes, then breaks them down using computer vision to map how the image flows. I redraw each piece line by line, following directional vectors, and limit the palette to just a few tones. The result blends structured geometry with organic motion, revealing depth through contrast and line. It’s a way of reinterpreting the familiar—seeing not what something is, but how it moves, how it feels, and how perception itself can shift.
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