Bosch’s Last Judgement is a triptych which represents the moment when all people will come to life again: the good people will be rewarded by going to Heaven; the evil people will go to Hell. In this triptych I have digitally recreated this painting and abstracted its forms without the use of AI. I tried to stay close to the original color palette and the composition; however I am questioning the original message by bringing it to our present using post contemporary tools. My purpose is to transform the visual and conceptual experience of the original artwork using technology as a substitute of oil painting. The images, the characters and symbols tear apart, melt and transform as much as its meaning. Everything is disarticulated and gets dismembered leaving behind the moralist and religious message the original painting used to transmit several centuries ago. What we have instead is a number of grafisms, stains, drippings and digital resources we use in present time, they work as an invitation to make us reflect about how much the world has changed, human behaviors, the importance of religion and the place it occupies in our lives.
Hell Right Panel
This painting represent the punishment for all sinners, they will stay there suffering from physical and psychological torments forever. By using similar color palette and structure y brake the composition with abstract brushstrokes, marking and paths proper of my body of work questioning its meaning. The overall story within the Hell panel is that humanity succumbed to temptation and the result of this is the arrival of evil and damnation. Instead of providing a strong warning against temptation I invite U to think about this world of wonders and fairies as an incredible world where everything is possible and temptation and hedonism are part of our own nature.
Includes a giclée print.
