never coming home

The series points to a paradox at the heart of contemporary spectatorship. A feed promises immediacy, yet its endless presence flattens distinctions between memory and anticipation. Delta Sauce thickens time: his frames hover in a slow-burn suspense that invites the viewer to inhabit uncertainty rather than swipe past it. What emerges is an ethics of looking that is neither nostalgic retreat nor techno-pessimism, but a measured attention to the liminal grain where private affect meets public signal.