Facetune Portraits: Universal Beauty, Equatorial Guinea, gown

In Gretchen Andrew’s new series of Facetune Portraits, custom robotics scribe the popular AI-driven beauty filters of social media into oil paintings derived from images of quintessential beauty.. Normally, on TikTok and via Zoom’s “touch up” feature, these visual modifications occur seamlessly and invisibly. By making this process visible, Facetune Portraits reveals the messy co-existence we have with our digital selves.



Including one contestant in gown and one in swimsuit per country, Facetune Portraits: Universal Beauty looks at the homogenizing impact of this monocultural, single AI beauty standard across the faces and bodies of famously beautiful women from around the world.

As this same algorithm sculpts the female form into a single, universal look, we see diversity disappear. In these paintings, unaltered human faces coexist with the algorithmically 'perfected' versions, creating a double portrait – a visualization of reality meeting desire. The result is a full-body portrait of tension, where each brush stroke, each smudge, each painterly contradiction is a record of disagreement between how our faces and bodies actually look and how AI says we should be.



These works outwardly portray the absurd, and too-real scars of the hidden ‘perfections’ that lurk behind so many of the images we experience – revealing our desire not just to be beautiful, but to be like everyone else: accepted as much by the algorithms as by our peers.

—

Facetune Portraits: Universal Beauty

Oil Painting on stretched canvas, 48 in. high with solid wood strip frame, signed on verso.

Each token represents the ownership over the unique, original framed painting, to be claimed by the token holder, with shipping at additional cost. Upon resale on the secondary market, the original shall be shipped to the new owner. The receiver of the work will cover shipping costs.