Sara Ludy’s “Synchronicities” plays with the idea of a collective psychic and visual space, and explores the aesthetics and materials of ephemerality. Collectors are invited to pick from a list of 100 time codes to mint an NFT corresponding to a clip from a 24-hour video shot by the artist, without having seen the video clip itself. The act of collecting, usually tied to an aesthetic choice, is thereby linked to a moment that intuitively resonates with collectors from afar, becoming a “remote viewing” exercise. As the time codes are minted, the matching video clips are positioned chronologically on a 4x6 grid corresponding to the 24 hours of the video, forming a structure resembling a multi-dimensional cube and viewable on a website. Collecting and minting the video clips thereby becomes a process of collectively revealing the unseen. The full-length video recorded by the artist over the course of 24 hours is a still-life scene subtly changing over time and involving appearing and disappearing ephemera in a cube-like environment. In Ludy’s project, synchronicity emerges on various levels: as an alignment of ephemeral “objects” over the time frame of a day and of transient moments imagined by collectors, as well as a temporal and visual space collectively constructed by a group of collectors.
[Please check the <a href="https://synchroniciti.es" target="_blank" class="link">synchroniciti.es</a> website for seeing the film evolve.]
![Sara Ludy’s “Synchronicities” plays with the idea of a collective psychic and visual space, and explores the aesthetics and materials of ephemerality. Collectors are invited to pick from a list of 100 time codes to mint an NFT corresponding to a clip from a 24-hour video shot by the artist, without having seen the video clip itself. The act of collecting, usually tied to an aesthetic choice, is thereby linked to a moment that intuitively resonates with collectors from afar, becoming a “remote viewing” exercise. As the time codes are minted, the matching video clips are positioned chronologically on a 4x6 grid corresponding to the 24 hours of the video, forming a structure resembling a multi-dimensional cube and viewable on a website. Collecting and minting the video clips thereby becomes a process of collectively revealing the unseen. The full-length video recorded by the artist over the course of 24 hours is a still-life scene subtly changing over time and involving appearing and disappearing ephemera in a cube-like environment. In Ludy’s project, synchronicity emerges on various levels: as an alignment of ephemeral “objects” over the time frame of a day and of transient moments imagined by collectors, as well as a temporal and visual space collectively constructed by a group of collectors.
[Please check the <a href="https://synchroniciti.es" target="_blank" class="link">synchroniciti.es</a> website for seeing the film evolve.]](https://verse.works/image/w3840/static%2Fuploads%2F0xc4f0ee96676d3de800b9725eb628de1c5a0cbea1%2F67fbb645-2967-448a-bb98-ada0bb805168.png@webp)
