“I think of ‘Seizures Palace’ as an opera track. It has all these symphonic, harmonic moments, but they are all rendered. I didn’t sample an orchestra or any existing music, it just so happened that its spectral richness and certain harmonic changes within it made it sound very orchestral. I wanted there to be drama and for it to really build up and be rumbling and romantic. I was surprised that all of that was possible just by working with computer-generated sound.” — Jan St. Werner
