In "Living in Limbo," I drew inspiration from Bosch's school and digitally reinterpreted it without using artificial intelligence. By employing digital tools, I abstracted forms, colors, and symbols, proposing a new visual narrative. My goal is to transform the visual and conceptual experience of the original work using technology as a substitute for traditional materials like oil paint.
The images, characters, and symbols disintegrate, merge, and transform as much as their meaning. As a female artist, it is interesting to be able to appropriate the work of great masters from a time when art was forbidden to women and give it my own imprint.
The result of this process is a complex composition dominated by geometric and organic forms, graphics, pictorial techniques resembling spray paint and airbrush, and contemporary digital resources. In this way, it invites us to reflect on the evolution of society, spirituality, and the human condition in the contemporary era.
