Monument #120

In Monument, Golid’s signature grammar of cubic shapes, black lines and luminous colour is instantly recognisable. In this series, geometric forms take on a new verticality. Inspired by the aesthetic of Brutalism, shapes ascend like totems of concrete architecture. “Flawed, repetitive patterns have always been an interesting aesthetic to me, and where else does one find it more prominently than along the vertical facades of high-rise buildings?” asks Golid. The artist is interested in the pattern and structure of these buildings and the way in which these patterns are disrupted by the presence of people. For example, the way in which an open window or a closed curtain interrupts the architectural uniformity of a modernist high-rise building.