Chuck Anderson IMAGINED WRECKAGE

This meta, almost deconstructed approach continues past the purely conceptual and into the aesthetics of the work itself. Elements of the digital process lie embedded in the pieces. Wires, circuit boards, screens and viewfinders are scattered throughout, eroding the line between the work and the working practice. The series takes on an almost autobiographical quality through the inclusion of photography, humanising the use of AI and embedding Anderson directly into the fabric of the collection.

Anderson describes the project as an embodiment of who he is as a person, with its stylistic juxtapositions speaking to his restless curiosity and creativity. The layering of seemingly disparate imagery and elements gives an aesthetic tension to the work that feels wholly of the moment and draws from Anderson’s broad set of influences. Engine parts alongside nods to hardcore and punk tropes are bathed in iridescence, balanced against flowers and butterflies, breaking down traditional aesthetic associations. There’s a playfully deceptive quality to the tactile nature of the collection, hard edges becoming surprisingly softened through this offset, crystalline textures feeling malleable and opaque fogs setting into almost structural components.

The pieces themselves resist easy categorisation, feeling equal parts virtual, sculptural, and photographic, adding a further destabilising aspect to the viewing experience. The very present accumulation of Anderson’s life, work and creative philosophy gives IMAGINED WRECKAGE a stream of consciousness, dream-like quality that curiously speaks to the AI hallucinations and latent dreaming that inform both this series, and so much of contemporary digital art.